Exciting from the Blog

App-Tip: Sun Surveyor for best light


Nature- and architecture photographers know how important light is for magnificent shots. If the sun is high in the sky, the contrasts are too hard and the light is too flat. Ideal times however are dusk and dawn. Depending on the point of time, the light then is soft or warm, emphasizing the structures and shaping the motive details.

Kaksi uutta sääsuojattua objektiivia Tamronilta


Tamron julkaisee kaksi uutta sääsuojattua, kuvanvakaajalla ja PZD-moottorilla varustettua objektiivia. Molemmat uudet objektiivit ovat megazoomeja, 16-300mm ja 28-300mm, näistä ensimmäinen on suunniteltu ainoastaan APS-C –kennolle, kun taas 28-300 on yhteensopiva sekä täysi kennoisten että APS-C –kennoisten kameroiden kanssa.

With the 24-70mm to the polar circle.


Photographer Mike Fuchs has a foible for snow and ice. On April the man from Berlin started his next polar expedition. He carries the Tamron SP 24-70mm F/2,8, with him, which has proven itself as a reliable partner in extreme conditions.

Announcement: 28-300mm F/3.5-6.3 Di VC PZD


Tamron is developing an advanced new all-in-one™ wide-angle to telephoto zoom lens for full-frame DSLR cameras.

Composition (3): Distance and Perspective


The previous two articles of our series “Image Structure” have dealt with the view frame and the (empty) space in a picture. In conclusion, it now gets a little less theoretical. In this article we want to inspire you to intensively deal with two main aspects of photography: Shooting distance and perspective.