Tamron lancerer to nye objektiver, begge er vejrbeskyttede og har billedstabilisering samt PZD AF-motor. Begge er megazoom-objektiver, 16-300mm og 28-300mm, og den førstnævnte er designet eksklusivt til APS-C-formatet, mens 28-300mm objektivet passer både fuldformat og APS-C.
Photographer Mike Fuchs has a foible for snow and ice. On April the man from Berlin started his next polar expedition. He carries the Tamron SP 24-70mm F/2,8, with him, which has proven itself as a reliable partner in extreme conditions.
Tamron is developing an advanced new all-in-one™ wide-angle to telephoto zoom lens for full-frame DSLR cameras.
The previous two articles of our series “Image Structure” have dealt with the view frame and the (empty) space in a picture. In conclusion, it now gets a little less theoretical. In this article we want to inspire you to intensively deal with two main aspects of photography: Shooting distance and perspective.
Composition is the key to a good picture. In the first part of our series on composition we looked at the role of the viewfinder as the main composition tool in photography. A good photographer uses the viewfinder frame consciously to integrate or exclude certain elements.